Andrew Simon

Andrew Simon

Senior Lecturer

Appointments

Senior Lecturer

Area of Expertise

Middle East History,

Global History,

Everyday Technology,

Popular Culture,

Sound and the Senses,

Mass Media,

Archives,

Islam,

Middle East Politics,

Resistance and Revolution

Biography

Andrew Simon is a historian of media, popular culture, and the Middle East committed to crafting impactful stories and guiding engaging classes. He holds a B.A. in Arabic, Middle East, and Islamic Studies from Duke University and was a fellow at the Center for Arabic Study Abroad in Cairo during the 2011 Egyptian Revolution. He received his Ph.D. from Cornell University and is currently serving as a Senior Lecturer at Dartmouth. Andrew is the modern history book review editor for the International Journal of Middle East Studies and his interdisciplinary research has received generous support from the Social Science Research Council and the American Research Center in Egypt. His writing has appeared on news outlets, like New Lines Magazine, and in peer-reviewed publications, such as Current History. Andrew's award-winning book, Media of the Masses: Cassette Culture in Modern Egypt (Stanford University Press 2022), shares the extraordinary story of an ordinary technology. An Arabic translation debuted with Dar El Shorouk at the Cairo International Book Fair in 2025 and went on to become a best-seller in Egypt.

Media of the Masses investigates the social life of an everyday technology – the cassette tape – to offer a multisensory history of modern Egypt. Over the 1970s and 1980s, cassettes became a ubiquitous presence in Egyptian homes and stores, and presented countless individuals with an opening to counter state-controlled Egyptian media. Drawing on a wide array of sources that were part of everyday life but rarely surface in state collections, this book provides a new entry point into understanding the past and popular culture. Cassettes and cassette players, it demonstrates, did not simply join other twentieth century mass media like records and radio; they were the media of the masses. Comprised of little more than magnetic reels in plastic cases, cassettes empowered an unprecedented number of people to create culture, circulate information, and challenge ruling regimes long before the internet entered our daily lives. Positioned at the productive crossroads of social history, cultural anthropology, and media and sound studies, Media of the Masses ultimately shows how the most ordinary things may yield the most surprising insights.

Since its debut, Media of the Masses has generated widespread media coverage in and outside of the Middle East, from The Los Angeles Review of Books, Lapham's Quarterly, BBC Sounds, Mada Masr, and Raseef22 to WFMU's Bodega Pop, Akhir Sa'a, Akhbar al-Adab, Drafting the Past, and al-Shorouk. A Kerning Cultures podcast, drawing on one of the book's chapters, received the "Listener's Choice" prize for best single episode on music from Signal Awards, while On the Media named "Media of the Masses" one of the top 10 books of 2022 and al-Daheeh, one of the leading online shows in the Middle East, featured the book in an episode on the history of popular music in Egypt. Most recently, "Media of the Masses" was designated the co-winner of the 2024 Modern Language Association Prize for Contingent Faculty and Independent Scholars.

This academic year, Andrew will be offering a series of interdisciplinary courses that rely on a wide array of primary sources to inspire lively discussions, including: "The Middle East in Film: Picturing the Past and Present" (Fall 2025 + Spring 2026), "Steamships to Social Media: Technology in Middle East History" (Winter 2026), "Soundscapes of the Middle East" (Winter 2026), and "Introduction to the Modern Middle East and North Africa" (Spring 2026). In all of these classes, students will reconsider what they know about the Middle East, contemplate why the region's history matters, and explore what contributions they might make to Middle East historiography.

To date, Andrew has led multiple independent studies (MES 85), including "China and the Middle East," "Islam, Education, Renaissance," "Disability in the Middle East," and "French Identity, Arab Artists, and Cultural Politics." Additionally, he has advised several award-winning senior honors theses, covering everything from the politics of tourism in Palestine to Atatürk's enduring legacy in Izmir to cultural heritage and collective memory in Egypt. Going forward, he welcomes the opportunity to work closely with undergraduates on topics that pique their intellectual curiosity. Students interested in pursuing an independent study or senior honors thesis are encouraged to reach out. Andrew is a firm believer in student scholarship reaching a wider audience and has assisted students in publishing their original research on public platforms and in academic forums. His students have won the Feinstein First Year Excellence in Writing Award and the Plotnick Prize for best research paper in Jewish Studies at Dartmouth. To learn more about one of Andrew's courses, "Soundscapes of the Middle East," check out this article in Dartmouth News.

Education

B.A. Duke University

M.A. Cornell University

Ph.D. Cornell University

Publications

Media of the Masses: Cassette Culture in Modern Egypt (Stanford University Press, 2022) Series: Stanford Studies in Middle Eastern and Islamic Societies and Cultures

"An 'Artist of the People': The Life and Legacy of Shaykh Imam." International Journal of Middle East Studies 57, no. 2 (2025), 377-386.

Simon, Andrew. "Censuring Sounds: Tapes, Taste, and the Creation of Egyptian Culture." International Journal of Middle East Studies 51, no. 2 (2019): 233-256.

Simon, Andrew. "An Ordinary Icon: Cassettes, Counternarratives, and Shaykh Imam," in The Power of Song: The Cultural Politics of Singers Around the Globe (University of Illinois Press 2023).

Simon, Andrew. "The Politics and Power of Popular Egyptian Music." Current History 122, no. 9 (2023): 358-360.

Review of Omar D. Foda's Egypt's Beer: Stella, Identity, and the Modern StateInternational Journal of Middle East Studies 53, no. 3 (2021): 524-26

https://doi.org/10.1017/S0020743825101013Review of Nathaniel Greenberg's How Information Warfare Shaped the Arab Spring: The Politics of Narrative in Egypt and TunisiaInternational Journal of Middle East Studies 52, no. 4 (2020): 789-791.

Speaking Engagements

"Audiocassettes and the Internet: Archives, Mass Media, and Middle East Studies" (invited speaker)

Cambridge, MA, "New Works Speaker Series," Harvard University. 2024.

"Debating Public Knowledge in Modern Egypt" (invited speaker)

Montréal, Canada, Annual Meeting for the Middle East Studies Association (MESA). 2023.

"Revisiting the Arab Sixties" (invited speaker)

Montréal, Canada, Annual Meeting for the Middle East Studies Association (MESA). 2023.

"Cassette Culture: A Community Conversation" (invited speaker)

The American University in Cairo (AUC), School of Continuing Education. 2023.

"Egypt as a Mixtape: Adawiya, Imam, and the Politics of Popular Culture" (invited speaker)

The Netherlands-Flemish Institute in Cairo (NVIC). 2023.

"Mass Media, Middle East History, and Cassette Culture in Modern Egypt" (invited speaker)

Philadelphia, PA, Center for Advanced Research in Global Communication, University of Pennsylvania. 2022.

"Media of the Masses: Cassette Culture in Modern Egypt" (invited speaker)

Evanston, IL, New Directions in Middle East & North African Studies, Northwestern University. 2022.

"Media of the Masses: Cassette Culture in Modern Egypt" (invited speaker)

Afikra, Outline Series: Mapping Projects from Idea to Outcome. 2022.

"Mass Media, the Middle East, and the Arab Spring" (invited speaker)

Madison, WI, "Who is Afraid of Democracy?," University of Wisconsin-Madison. 2022.

Works in Progress

Voices from Egypt: A Digital Archive

Selected Works & Activities

Modern History Book Review Editor, International Journal of Middle East Studies (2022 - present)